This is a widely held belief in certain circles that sharing custody a dog after a breakup is a terrible idea. Most will argue such setups prevent ex-partners from moving forward, cause practical headaches, spark arguments, and become annoying for everyone involved. Apparently, in a revelation worthy of a direct-to-platform film, it reportedly leads to our furry friends to experience sadness.
Not to downplay the mental health of our pets – pet parents observe their remarkable empathy. If you need prime example in dog sorrow, one need only look another performance. It seems certain that a dog such as Merv, a scruffy terrier type portrayed by the canine actor Gus, would find it difficult adapting to life in two homes. Whether this premise an entire Christmas romance around this situation works effectively remains a questionable prospect.A Familiar Formula
Fairness demands noting, Merv, written by the writing duo and helmed by director Swale, doesn't pretend to be more profound than what it is. We have here a seasonal offering from a corporate studio – the complexity remains surface-level. The narrative proves to be simple and direct: former spouses Russ (Charlie Cox) and Anna (Zooey Deschanel), confronting that their individual funk is matched by their dog's, take a uplifting getaway to a luxury pet hotel. There, inevitably, they will undoubtedly realize the idea that they belong with each other. Ensemble players – including a group of comedic actors – serve as eccentric, underutilized, or over-the-top. Its aesthetic has the quality of a branded content, with a wintry atmosphere that is obviously artificial – exemplified by fake snow clinging to verdant foliage as a summer location doubles as the Northeast.
Where the Film Shines
How these predictable parts come together into a pleasant experience depends on the strength of the performances and an acceptance of easy entertainment. For the comfort factor, Merv hones in on a demographic – individuals who browse regularly for pet content. The film delivers a wealth of scenes focused on the pet. The main attraction is the canine star, and though it results in some stilted moments between animal action and people's faces, the movie delivers on dog beach fun, pet moping, and, ultimately, a tail-wagging resolution.
Where It Wobbles
The same praise does not extend for the human side of the story. Its style vacillates between relationship drama, zany antics, standard rom-com beats, and silly gags, failing to master a consistent feel. No blame falls on Charlie Cox, who is willing to embrace the humiliating and funny demanded of the dog resort scenario. Cox exhibits a charming humility that offers a significant portion of the appeal for this ostensibly perfect couple. Zooey Deschanel, true to her usual style, imparts a certain millennial quirkiness that will either resonate with viewers. The character comes across as a touch too detached, especially when paired with Cox's genuine sadness. (On another note, the canine performer is convincing at flopping and whining – while no the award-winner from Anatomy of a Fall, he's definitely a scene-stealer.)
The film attempts to add substance to the central romance for moments when the dog is absent – which is unfortunate, since the dog is easily the most adorable aspect of this film designed for charm. As one might predict, it achieves only baseline competence. The catalyst for their separation would feel more adult and realistic with more screen time and more subtle storytelling. In the end, Merv is gentle and pleasant, meeting every expected note. Crafting a story with this canine conflict has potential – though it's hardly a stroke of genius.
- Merv premieres on Prime Video this December.
